What I'm more concerned about is whether or not this piano is worth keeping as it takes up quite a lot of space. I've read a bit about the history of the company and mostly gotten that Kimball pianos are not necessarily known for their quality instruments, especially newer pianos. There is some pretty considerable damage to the lid where years of sunlight has caused the finish to peel and crack on the lid and music rack. Mechanically, it seems to be fully functional with no dead keys or anything like that. Its a glossy white 5'8" Baby Grand that has a small plaque on the inside giving a little bit of the history of that event, ect. I was given one of the Kimballs used in the 1984 Olympic opening ceremony. The Una Corda is a Silver Winner of the A’ Design Award for the year 2021.First off, I already have this piano in my posession and have done a bit of research but was hoping someone with a lot more knowledge here could give me some advice being that I do not know much about pianos (not my primary instrument). It really sounds less like your traditional piano and almost like a cross between an electronic piano and a celesta! Skip to the 4:30 mark in the video to hear the Una Corda in action. Known for combining classical with electronic music, Frahm even added a combination of microphones and pick-ups to the piano, giving it much more flexibility and range than any normal upright or grand piano. The result is an instrument that’s a piano in theory, but challenges the long-set notion of what a piano should look and sound like. Instead of the aggressive ‘twang’ of an upright piano, the Una Corda has a gentler, sweeter sound that can be made even softer thanks to the presence of modular felt panels that can be added between the hammers and strings to dampen the sound even further. The playing experience is far from just auditory and tactile, it’s incredibly visual too, as you literally see how the hammers hit the strings when you press any of the 88 keys. The outer frame for the Una Corda is made from stainless steel, within which sits its exposed double-layer soundboard. The piano’s name Una Corda translates to “One Cord” from the piano’s one-string-per-note construction. “In the course of researching piano acoustics, I decided to strip the piano from any and all unnecessary features, invent a new, softer soundboard, and to build a piano by the strict principle of form follows function“, says David Klavins, who was commissioned to create the Una Corda piano for renowned pianist and composer, Nils Frahm. Unlike most upright pianos that use a robust wooden casing to create acoustic reverberation, the Una Corda ditches it all for an exposed design that results in a much softer-sounding note that’s gentle to the ears.
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